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Chinese dating show 'If You Are the One' is almost unbearably honest.

'If You Are the One' - the wisest dating show ever?

December 29, 2014

SBS has scored big with the Chinese dating show 'If You Are the One'. It's a cracker of a show that espouses more relationship wisdom than all the American self-help TV programs combined.

In a nutshell (Chinese Gingko for the sake of this review) we have 24 girls behind 24 modules, each one with a buzzer.

On the other side of the set, the host, Meng Fei, welcomes us warmly with wit as sharp and shiny as his stunning bald head, as the first male candidate comes shooting down a futuristic elevator.

The live TV audience goes "WOOooooOOOooooo!"

We see the guy's shoes and pants legs and then we cut to ads.

Damn SBS, you're such a tease.

Ads are over and we cut back to the Star Trek vertical transporter and the rapidly descending dream (hopefully but usually not) dude. And bang - there he is stepping onto the catwalk, making his way to Mr Fei.

And in the seconds it takes him to reach the charming host, the 24 Chinese girls behind their glowing soapboxes have stripped away the guy's thin exterior and reached deep into his soul. They have glimpsed at his fears - his strengths, weaknesses, flaws and passions.

So if the fellow shuffles. If his shirt's un-tucked. If he happens to resemble a Teenage Mutant Ninja Turtle.

Well, he's going to hear about it.

And a bunch of big loud red buzzers will go off at once. Only men with the lightning-fast moves of a Kung Fu Master can defend themselves against a red buzzer blitz.

But the girls are almost always right. Could be their PhDs in advanced human behaviour. Whatever it is, they know these guys, and they are going to tell them straight.

Girls lean over their neon pulpits like stunning leggy Oriental priestesses, and drop bombs like: "I think you are like a Russian Babushka doll -- all the smiling and laughing hides your pain and suffering deep down inside!"

Another Amazonian former rower exclaims: "I think I may be better than you."

The guys agree and sincerely thank the girls for their crippling critiques.

Usually the guys are even tougher on themselves. During their three get-to-know-me video clips they progressively point out their flaws, each one worse than the previous.

"I have never had a real relationship," is common. "I fell in love with the girl next to me in high school chemistry class  - I finally declared my love 10 years later when I saw her at the mall. She did not know who I was."

"My passion is collecting cicadas," says one male contestant, pushing his glasses up as they slide down his nose.

Incredibly girl number four replies: "This is my passion too."

She continues: "I find your protruding teeth lovely."

These girls are tough, but they also choose guys that wouldn't get a look in the West - passion, worth ethics and family values often trump good looks and charm.

Despite, or because of, his 'prominent incisors' number four has not pressed her red buzzer.

The geek chooses this beauty...

The audience goes "WOOooooOOOooooo!"

And they leave hand-in-hand with a pair of souvenir ladies fashion shoes, a trip to the Aegean sea, and maybe a wonderful life together collecting insects.

Does it get any sweeter?

They actually say this on the show.



Tags If You Are the One, China, Chinese dating show, Chinese beauties, Meng Fei, wisdom
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Like everyone else, I know how this movie ends.

And it's just really gross. But kind of cool too.

It's based on a guy called Aron Ralston, a young adrenalin junkie who goes canyoning in the wilds of Utah, solo - without telling a soul. 

Spoiler alert: early on in the film Aron, played by James Franco, dislodges a boulder, plunges down a crevice, and gets pinned by the same rock.

And that rock ain't going nowhere, no-how.

Directed by Danny Boyle of Shallow Grave, Trainspotting and Slumdog Millionaire fame, the film is based on Ralston's book Between a Rock and a Hard Place.

A title that sums up his gory tale, and the movie's story arc.

Boyle is awesome at branding his films with powerful imagery geared towards a hyperactive media-crazed instant gratification audience.

From the kick-off the movie goes full-throttle as Aron recklessly sets off on his adventure: hurtling down the highway in a beat up car while his headphones blast pulsing beats.

“Boyle has a real knack for branding his films with powerful imagery geared towards a hyperactive media-crazed instant gratification audience.”

Within the same heartbeat he's on his mountain bike as the stunningly bleak mars-like Utah landscape flashes by.

He meets some babes. Shows them an subterranean lake only accessible by slipping down a groin-tinglingly narrow rift. Then he's off, pumped on nature, fresh air and the rush of living life to its fullest...

Then Aron slips. He's now trapped.

Frozen in time and space by nature: the drug that has always pushed him to dizzying heights.

Camera zooms on Aron's stunned face and the Movie title appears for the first time: 127 Hours.

Brake is applied heavily now for momentum-loving viewers - or is it?

Sometimes this film was hard to watch (and for a few nerve-snapping moments - unbearable).

Franco does great credit to Aron's gritty determination, and Boyle doesn't rely on sentimentality or melodrama.

It's like a companion piece to Sean Penn's Into the Wild, but thankfully here the hero survives.

Like Into the Wild's care-free hero, for Aron it's the people in his life, and the premonition of his future son, which gives him the courage and down-right ballsy-ness to, literally, disarm himself to break free.

So yeah - he gruesomely and noisily hacks off his own limb. But as he's scrambles out of the crevasse, one arm down, he looks back at the rock and says 'Thank you'.

Then he snaps a selfie of his dismembered hand with his membered hand.

Through the entire film Aron stays level-headed and never loses his great love of nature and even the very rock that so nearly entombed him.

This is a powerful film, and a tribute to the importance of human love and the brutal and unforgiving beauty of the wild.

“Through the entire film Aron stays level-headed and never loses his great love of nature and even the very rock that so nearly entombed him. ”