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Vice director of the Vietnam Administration for HIV/AIDS Prevention and
Control, Associate Professor Bui Duc Duong, talks about the critical issues
facing clinicians working in HIV/AIDS in Vietnam at this landmark meeting.

CDC Supports First Society on Clinical HIV/AIDS in Vietnam

October 28, 2011

HANOI – On June 7-8, the Vietnam Clinical HIV/AIDS Society (VCHAS) held its first meeting, at Hanoi’s International Conference Center. Attended by key stakeholders from the Ministry of Health, international organizations, national and provincial hospitals, and HIV/AIDS centers, and frontline clinicians who deliver care to patients with HIV, the meeting marked the launch of Vietnam’s first professional, not-for-profit organization representing the country’s clinical HIV/AIDS sector.

With support from U.S. Centers for Disease Control and Prevention (CDC), through the Harvard Medical School AIDS Initiative in Vietnam, as part of the U.S. President’s Emergency Plan for AIDS Relief (PEPFAR), the Society seeks to create a national forum open to all Vietnamese individuals and organizations working in Vietnam’s HIV/AIDS sector.

In this forum members can share experiences, strengthen linkages, discuss relevant policies and guidelines, and keep up to date with the latest advances in HIV/AIDS care and treatment.

“This society is among the first professional medical societies in Vietnam of any kind,” said CDC Country Director Dr. Bruce Struminger.

“It will offer clinicians a collective voice for advocacy on behalf of their patients at the national level,” he said.

“This gives them an opportunity to address and inform national policies and guidelines, helping ensure a high quality and continually improving standard of care for people living with HIV.”

VCHAS is modeled on other societies set up around the Asia-Pacific region by the Australasian Society for HIV Medicine (ASHM), which is providing technical assistance with PEPFAR financial support.

Regional collaboration is critically important, and ASHM will facilitate opportunities through their network for VCHAS to tap into the experiences of similar HIV/AIDS professional societies across Southeast Asia.

ASHM’s Dr. Duc Minh Nguyen says the Society helps shed light on “the vital role that healthcare workers play in HIV/AIDS”

“VCHAS will develop a cadre of key local health providers with advanced HIV skills and leadership capacity in Vietnam,” he said.

“It will also function as a mechanism that ensures sustainability of these skills and the workforce, and fosters HIV-related research and training endeavors.”

← Global Experts Join Forces for Improved HIV Surveillance in Asia-Pacific RegionCDC and FHI 360 Support Vietnamese Laboratories to Operate at International Standards →

Pop culture stop

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Like everyone else, I know how this movie ends.

And it's just really gross. But kind of cool too.

It's based on a guy called Aron Ralston, a young adrenalin junkie who goes canyoning in the wilds of Utah, solo - without telling a soul. 

Spoiler alert: early on in the film Aron, played by James Franco, dislodges a boulder, plunges down a crevice, and gets pinned by the same rock.

And that rock ain't going nowhere, no-how.

Directed by Danny Boyle of Shallow Grave, Trainspotting and Slumdog Millionaire fame, the film is based on Ralston's book Between a Rock and a Hard Place.

A title that sums up his gory tale, and the movie's story arc.

Boyle is awesome at branding his films with powerful imagery geared towards a hyperactive media-crazed instant gratification audience.

From the kick-off the movie goes full-throttle as Aron recklessly sets off on his adventure: hurtling down the highway in a beat up car while his headphones blast pulsing beats.

“Boyle has a real knack for branding his films with powerful imagery geared towards a hyperactive media-crazed instant gratification audience.”

Within the same heartbeat he's on his mountain bike as the stunningly bleak mars-like Utah landscape flashes by.

He meets some babes. Shows them an subterranean lake only accessible by slipping down a groin-tinglingly narrow rift. Then he's off, pumped on nature, fresh air and the rush of living life to its fullest...

Then Aron slips. He's now trapped.

Frozen in time and space by nature: the drug that has always pushed him to dizzying heights.

Camera zooms on Aron's stunned face and the Movie title appears for the first time: 127 Hours.

Brake is applied heavily now for momentum-loving viewers - or is it?

Sometimes this film was hard to watch (and for a few nerve-snapping moments - unbearable).

Franco does great credit to Aron's gritty determination, and Boyle doesn't rely on sentimentality or melodrama.

It's like a companion piece to Sean Penn's Into the Wild, but thankfully here the hero survives.

Like Into the Wild's care-free hero, for Aron it's the people in his life, and the premonition of his future son, which gives him the courage and down-right ballsy-ness to, literally, disarm himself to break free.

So yeah - he gruesomely and noisily hacks off his own limb. But as he's scrambles out of the crevasse, one arm down, he looks back at the rock and says 'Thank you'.

Then he snaps a selfie of his dismembered hand with his membered hand.

Through the entire film Aron stays level-headed and never loses his great love of nature and even the very rock that so nearly entombed him.

This is a powerful film, and a tribute to the importance of human love and the brutal and unforgiving beauty of the wild.

“Through the entire film Aron stays level-headed and never loses his great love of nature and even the very rock that so nearly entombed him. ”