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Climate Change Skepticism Grows but Facts Same

December 27, 2010

Unless it’s faith we’re talking about, humans are inherently skeptical – especially when it comes to science. Brilliant minds have been battling the oft’ irrational public opinion for time immemorial, with guys like Aristotle, Galileo and Darwin risking their necks in the name of logic.

Things haven’t changed much…

Despite recent news of blunders and cover-ups in the IPCC’s 2007 climate report, according to Al Gore, “the overwhelming consensus on global warming remains unchanged”.

The hefty four-volume report tackles some of the most complex science imaginable. Making sense of chaotic, interconnected systems is tough. It’s even harder when incorporating the impacts of countless climate-change variables. Errors are to be expected.

It’s crazy to think that a handful of inaccuracies on the Himalayas’ glacial melting rates discredit the whole process. And a few misplaced emails at UK’s East Anglia University shouldn’t detract from research being rigorously undertaken by leading climate scientists worldwide.

The science is solid, and the bulk of the climate science community doesn’t doubt this for a second. But the smallest whiff of controversy means that naysayers can have a field day, appealing to our innately suspicious, conspiracy-minded personalities.

This news is affecting the polls. According to the Guardian there’s been a “sharp decline in the public’s belief in the climate threat…” in both the US and Britain.

Everyone’s like, “I told you so. It’s all hogwash.” If folk actually spoke like that. But what of the massive shifts in climate systems and the bizarre weather patterns that we’ve been experiencing? We’ve had the hottest summers on record and the fiercest storms since records started. And it’s all happening at unprecedented rates. We’re not talking 10,000 years, but more like twenty.

We’ve got to be as brave as those great philosopher dudes, and not be swayed by the power of the media and public opinion. Reject the facts and give credence to the skeptics and we’re all headin’ for dire straits.

← Orville! Wilbur!… Put Down those Goggles!

Pop culture stop

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Like everyone else, I know how this movie ends.

And it's just really gross. But kind of cool too.

It's based on a guy called Aron Ralston, a young adrenalin junkie who goes canyoning in the wilds of Utah, solo - without telling a soul. 

Spoiler alert: early on in the film Aron, played by James Franco, dislodges a boulder, plunges down a crevice, and gets pinned by the same rock.

And that rock ain't going nowhere, no-how.

Directed by Danny Boyle of Shallow Grave, Trainspotting and Slumdog Millionaire fame, the film is based on Ralston's book Between a Rock and a Hard Place.

A title that sums up his gory tale, and the movie's story arc.

Boyle is awesome at branding his films with powerful imagery geared towards a hyperactive media-crazed instant gratification audience.

From the kick-off the movie goes full-throttle as Aron recklessly sets off on his adventure: hurtling down the highway in a beat up car while his headphones blast pulsing beats.

“Boyle has a real knack for branding his films with powerful imagery geared towards a hyperactive media-crazed instant gratification audience.”

Within the same heartbeat he's on his mountain bike as the stunningly bleak mars-like Utah landscape flashes by.

He meets some babes. Shows them an subterranean lake only accessible by slipping down a groin-tinglingly narrow rift. Then he's off, pumped on nature, fresh air and the rush of living life to its fullest...

Then Aron slips. He's now trapped.

Frozen in time and space by nature: the drug that has always pushed him to dizzying heights.

Camera zooms on Aron's stunned face and the Movie title appears for the first time: 127 Hours.

Brake is applied heavily now for momentum-loving viewers - or is it?

Sometimes this film was hard to watch (and for a few nerve-snapping moments - unbearable).

Franco does great credit to Aron's gritty determination, and Boyle doesn't rely on sentimentality or melodrama.

It's like a companion piece to Sean Penn's Into the Wild, but thankfully here the hero survives.

Like Into the Wild's care-free hero, for Aron it's the people in his life, and the premonition of his future son, which gives him the courage and down-right ballsy-ness to, literally, disarm himself to break free.

So yeah - he gruesomely and noisily hacks off his own limb. But as he's scrambles out of the crevasse, one arm down, he looks back at the rock and says 'Thank you'.

Then he snaps a selfie of his dismembered hand with his membered hand.

Through the entire film Aron stays level-headed and never loses his great love of nature and even the very rock that so nearly entombed him.

This is a powerful film, and a tribute to the importance of human love and the brutal and unforgiving beauty of the wild.

“Through the entire film Aron stays level-headed and never loses his great love of nature and even the very rock that so nearly entombed him. ”