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You just want to dive into the chocolate fountain.

Chocolate everywhere, but not a bit to bite

June 2, 2014

HANOI - The Metropole Hotel's chocolate buffet is a must for all you Cocoa-crazed folk out there. You know who you are - you guys are everywhere.

But I’m a savory kind of guy. So when my partner suggested we head off for an afternoon of chocolaty treats, I wasn’t too eager.

“What about lunch?” I ask sheepishly.

“That is lunch” she replies.

We meet our friends outside the lake-side hotel, in all it's French colonial-style splendor.

Back in the day, cultural icons such as Charlie Chaplin and the writer Somerset Maugham lazed by the pool sipping cocktails, schmoozing with movie starlets and other glitterati.

We pass doll-like newly-weds posing in front of a vintage model Citroen, and go through the big French doors. It’s like stepping into the roaring twenties novel ‘The Great Gatsby’ with its airy atmosphere,  and colonial era décor.

Entering the buffet room, to the left are shelves stacked with sweet delights, and on the right tropical fruits and tiered mini-sandwiches that look like glazed tartlets.

Just like the chocolate fountain tempting us nearby, my friends are overflowing with sugary joy.

Me? Not so much.

I’d be all over a burger or Bun Cha buffet. But two hours of bonbons and brownies, and I’ll go into a choco-induced coma.

So I start off with a plate-full of cucumber and roast beef sandwiches, cut into tiny cubes. My friends look a bit embarrassed, clumsily shifting their heavy cane chairs away from me as I sprinkle salt and pepper on my caramel and orange brandy crepe.

I fill up on fruit, but that’s just not doing it. I start eyeing off the Ganache-filled truffles and white chocolate mousse on my girlfriend’s plate, as I stir my cappuccino with what appears to be a cigar, but is actually a cinnamon stick.

Had Graham Greene just stumbled from the liquid chocolate fountain in a stupor before he started penning The Quiet American?

I'm guessing yes.

Ceiling fans swing above, like small billowing sails on a Ha Long Bay Junk. I half expect one of the waiters to offer me a “martini, shaken not stirred”. But instead they point to the smorgasbord of treats and tell me they actually serve chocolate at this chocolate buffet.

I think I'm disgracing my friends. Slowing down the global Cacao trade. And being a big party pooper.

Guilt sets in.

Besides, that chocolate buffet’s starting to look pretty titillating.

Before I know it I’ve cleared my surprised girlfriend’s plate, and I’m at the candy-coated bar scoffing down chocolates of every size, shape and variety.

Something’s happening.

Surrounded by all this Old World Charm and packs of impassioned choco-holics, I’ve got the ‘Sweet-tooth Fever’.

Everyone smiles at me and pats me on the back, as I wipe Friand crumbs off my chin. Lapping up the Metropole’s lush ambience we gorge ourselves on cake and custard, as the sun descends over Hanoi’s hazy scooter-clogged streets.

The restaurant is now empty but we’re still going strong.

“Ummm, excuse me. The chocolate buffet is over”, a chic-looking waitress explains awkwardly.

As we’re ushered out of the hotel I think to myself:

But we’re just getting started…

← No Will Smith – just a real threat of extinction White water rafting through Hanoi →

Pop culture stop

Source

Source

Like everyone else, I know how this movie ends.

And it's just really gross. But kind of cool too.

It's based on a guy called Aron Ralston, a young adrenalin junkie who goes canyoning in the wilds of Utah, solo - without telling a soul. 

Spoiler alert: early on in the film Aron, played by James Franco, dislodges a boulder, plunges down a crevice, and gets pinned by the same rock.

And that rock ain't going nowhere, no-how.

Directed by Danny Boyle of Shallow Grave, Trainspotting and Slumdog Millionaire fame, the film is based on Ralston's book Between a Rock and a Hard Place.

A title that sums up his gory tale, and the movie's story arc.

Boyle is awesome at branding his films with powerful imagery geared towards a hyperactive media-crazed instant gratification audience.

From the kick-off the movie goes full-throttle as Aron recklessly sets off on his adventure: hurtling down the highway in a beat up car while his headphones blast pulsing beats.

“Boyle has a real knack for branding his films with powerful imagery geared towards a hyperactive media-crazed instant gratification audience.”

Within the same heartbeat he's on his mountain bike as the stunningly bleak mars-like Utah landscape flashes by.

He meets some babes. Shows them an subterranean lake only accessible by slipping down a groin-tinglingly narrow rift. Then he's off, pumped on nature, fresh air and the rush of living life to its fullest...

Then Aron slips. He's now trapped.

Frozen in time and space by nature: the drug that has always pushed him to dizzying heights.

Camera zooms on Aron's stunned face and the Movie title appears for the first time: 127 Hours.

Brake is applied heavily now for momentum-loving viewers - or is it?

Sometimes this film was hard to watch (and for a few nerve-snapping moments - unbearable).

Franco does great credit to Aron's gritty determination, and Boyle doesn't rely on sentimentality or melodrama.

It's like a companion piece to Sean Penn's Into the Wild, but thankfully here the hero survives.

Like Into the Wild's care-free hero, for Aron it's the people in his life, and the premonition of his future son, which gives him the courage and down-right ballsy-ness to, literally, disarm himself to break free.

So yeah - he gruesomely and noisily hacks off his own limb. But as he's scrambles out of the crevasse, one arm down, he looks back at the rock and says 'Thank you'.

Then he snaps a selfie of his dismembered hand with his membered hand.

Through the entire film Aron stays level-headed and never loses his great love of nature and even the very rock that so nearly entombed him.

This is a powerful film, and a tribute to the importance of human love and the brutal and unforgiving beauty of the wild.

“Through the entire film Aron stays level-headed and never loses his great love of nature and even the very rock that so nearly entombed him. ”